Tuesday, January 7, 2020
Comparing Power in The Tempest and Othello - 1801 Words
Comparing Power in ââ¬ËThe Tempestââ¬â¢ and ââ¬ËOthelloââ¬â¢ Both plays are about the ultimate struggle for power. Power can be shown in many ways such as race, gender, ââ¬Ëothersââ¬â¢, social class, and most importantly through use of language. Power can be shown in both plays through the use of ââ¬Ëothernessââ¬â¢. This can be associated with power as characters such as Othello or Caliban are ââ¬Ëothersââ¬â¢ because they are from ââ¬Ëelsewhereââ¬â¢. One such character who could be described as an ââ¬Ëotherââ¬â¢ is Othello. Bill Bryson suggested that ââ¬Ëbefore he reworked it ââ¬ËOthelloââ¬â¢ was insipid melodramaââ¬â¢ and perhaps it was the addition of ââ¬Ëothersââ¬â¢ by Shakespeare that added to the drama. Characters such as Othello and Caliban were considered dangerous and unnatural because theyâ⬠¦show more contentâ⬠¦Caliban is only allowed near Miranda as he performs the unskilled jobs he does make our fire, fetch our wood and serves in offices reminding the audience that Caliban i s a slave. Ariel on the other hand is given much more important jobs, but this is not because Ariel means any more to Prospero than Caliban does, but simply because of his magic. It is evident that Miranda is aware of how powerful Prospero is, as she says ââ¬Å"Had I been any god of power, I would /Have sunk the sea within the earthâ⬠. This indicates that she understands the extent of Prosperoââ¬â¢s power, and that if she had possessed the same amount of power, she would use it differently to her father. Shakespeare shows differences in power between Othello, Desdemona and Iago. The use of gender differences and the changing perception of them suggest a powerful gender based conflict. Othello and Desdemona love each other for the ââ¬Ëdifferences they perceive in one anotherââ¬â¢. Desdemona perceives Othello as a valiant warrior, and Othello perceives Desdemona as a woman with genuine feminine grace. Iagoââ¬â¢s relationship with Othello becomes a power struggle where Iago attempts to degrade Desdemona in order to position himself so he can ââ¬Ëpoisonââ¬â¢ Othello. Here Shakespeare is showing how powerful and manipulative Iago can be with his use of words, and how powerful they can be. This power struggles is exemplifiedShow MoreRelatedRacism In Othello And The Tempest By William Shakespeare1145 Words à |à 5 Pagesconsidered racist. In Shakespeareââ¬â¢s plays Othello and The Tempest, the underlying idea of racism is present in these works, and his audiences can come to this conclusion, because of the way the characters, Othello and Caliban, are unjustly treated due to their appearances. In the play Othello, the idea of racism is first revealed in Act One, Scene One. Iago and Rodrigo are talking to Brabanzio about how his daughter, Desdemona, married a Moor. Iago refers to Othello as a ââ¬Å"black ramâ⬠and a ââ¬Å"Barbary horseâ⬠Read MoreTheme Of Racism In Othello And The Tempest By William Shakespeare1102 Words à |à 5 Pagesconsidered racist. In Shakespeareââ¬â¢s plays Othello and The Tempest, the underlying idea of racism is present in these works, and his audiences can come to this conclusion, because of the way the characters Othello and Caliban are unjustly treated due to their appearances. In the play Othello, the idea of racism is first revealed in Act One, Scene One. Iago and Rodrigo are talking to Brabanzio about how his daughter, Desdemona, married a Moor. Iago refers to Othello as a ââ¬Å"black ramâ⬠and a ââ¬Å"Barbary horseâ⬠Read More Deception in The Tempest Essay1469 Words à |à 6 Pagesmislead. From this definition, it is obvious that deception is normally perceived to be evil and results in the harm of others mentally and physically. It leads to broken hearts, untold truths, or even unpunished murder. However, in Shakespeares The Tempest, deception is used as a virtuous art to manipulate an unjust situation and rectify it. Know thus far forth. By accident most strange, bountiful Fortune (Now my dear lady) hath mine enemies Brought to this shore; and by my prescience I find myRead MoreThemes In Othello Essay2144 Words à |à 9 Pagesalso be found as a link on the ââ¬Å"Othello Songâ⬠document in the class folder. Centre Square Assignment 1. Themes in Othello Love - Othello says, ââ¬Å"For know Iago, // But that I love the gentle Desdemona, // I would not my unhoused free condition // Put into circumscription and confine // For the seaââ¬â¢s worth.â⬠(Shakespeare, I.ii.24-27) This quote supports the theme of love found in the play Othello by William Shakespeare. This can be seen in how invested Othello seems to be emotionally when speakingRead MoreThemes Of Shakespeare s Othello2113 Words à |à 9 PagesCentre Square Assignment 1. Themes in Othello Love - Othello says, ââ¬Å"For know Iago, // But that I love the gentle Desdemona, // I would not my unhoused free condition // Put into circumscription and confine // For the seaââ¬â¢s worth.â⬠(Shakespeare, I.ii.24-27) This quote supports the theme of love found in the play Othello by William Shakespeare. This can be seen in how invested Othello seems to be emotionally when speaking about Desdemona. An aspect of love is already present in the fact thatRead MoreEssay on Lessons in King Lear by William Shakespeare3489 Words à |à 14 Pagestoward death,â⬠he shows that he is completely lacking in common sense by assuming that his plan will go according to his will and that the transition of power will run smoothly (1.1.43). Almost instantly, Lear is proven foolish when Regan and Goneril ââ¬Å"hit togetherâ⬠and agree to ââ¬Å"do something, and in the heatâ⬠to strip their father of any power that he has remaining (1.1. 306, 311). Mack calls this rapid string of events that follow Learââ¬â¢s hasty abdication ââ¬Å"the waiting coil of consequences [that]Read MoreIs King Lear Nihilistic or Hopeful?3440 Words à |à 14 Pagestoward death,â⬠he shows that he is completely la cking in common sense by assuming that his plan will go according to his will and that the transition of power will run smoothly (1.1.43).à à Almost instantly, Lear is proven foolish when Regan and Goneril ââ¬Å"hit togetherâ⬠and agree to ââ¬Å"do something, and in the heatâ⬠to strip their father of any power that he has remaining (1.1. 306, 311).à à Mack calls this rapid string of events that follow Learââ¬â¢s hasty abdication ââ¬Å"the waiting coil of consequences [that]
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